May 2018

King Khalid

When Khalid burst onto the scene with his album, American Teen, in 2017, I was immediately drawn to his voice. What a pure sound. In 2018, he has yet to release an album but that doesn’t mean he hasn’t been active. In our May 2018 playlist, Khalid’s featured on almost 10% of the songs. He’s mostly lent his voice in female/male duets, namely a couple of slower R&B jams like Floating with Alina Baraz and Don’t Let Me Down with Sabrina Claudio, but also with some pop stuff like OTW with 6LACK and Ty Dolla $ign and Runaway with Tayla Parx.

What an exciting time in the 20 year old’s life – here’s to many more years of a Khalid reign.

And now, without further ado, here’s May 2018.

theMonthlyJamm | May 29th, 2018

P.S.: You’ll note that we’ve skipped April. The idea behind this is that going forward, we want to release the May playlist for listening during the month of May, June playlist for June, etc. Instead of releasing April retroactively at the beginning of May. I.e.: it’s semantics 🙂

may18-full edition

Links to the ‘Lists

track 1: Frenship | GOODMORNING, Goodbye

Let’s start May with this refreshing mid-tempo jam. It hits steadily and clean, like a spring rain, and with anticipation, with momentum in the beat, as we speed towards summer.

Now, sometimes the styling of songs is absolute gibberish and done with no particular reason in mind. I hate when things are done for no reason. The styling of this song’s title though strikes me as having a reason. The “GOODMORNING” part is all caps. The “Goodbye” part is not. Why?

Frenship’s lover was a good one:

“Never kissed me wrong / Always loved me right / No it’s not your fault / That it’s good morning and goodbye”

It was life’s circumstances that split the two, not necessarily a problem in the relationship. He left her for his music career:

It was life’s circumstances that split the two, not necessarily a problem in the relationship. He left her for his music career:

“I guess I left you for the radio / I gotta find my sunshine”

There’s something bigger for him out there, his “sunshine”.

“I can’t come back for you / Don’t give me time / I can’t come back for you”

And for some reason, he doesn’t see it as possible to come back. It’s a decision he’s made and one he’s not looking back on. But that doesn’t mean he still doesn’t think of it:

“You know it breaks my soul / I still feel your heart beatin’ / When I’m on the road”

“GOODMORNING” because it’s the happiness twice over. The happiness of waking up next to your lover and saying “Good morning”. That was the initial ‘good morning’ and then Frenship went after their music dreams. And then there was the happiness of following your fire, of going after your dreams and starting that journey with a “Good morning”. Then the comma. The pause of uncertainty. And finally, the “Goodbye”. “Goodbye” because it’s a single, goodbye – one whispered not exclaimed.

track 2: Matt Maeson | Hallucinogenics

Right around the 0:54 mark is where I turn this jam up and scream out the lyrics:

“Pushing past the limits / Trippin’ on hallucinogenics”

This song is very catchy and even has an added dig at the usual profiles women are interested in:

“Go find yourself a man who’s strong and tall and Christian”

Matt Maeson, great work, would love to see a similar jam next time about sobriety hopefully – good luck!

track 3: Moon Taxi | Run Right Back

track 4: Grave VanderWaal | Clearly

track 5: Kygo & Miguel | Remind Me to Forget

Kygo keeps getting these absolute stars on his tracks. This one, Remind Me to Forget, with Miguel is a perfect example.

I love the confusion in the title – Remind Me to Forget. The scars left over from the love are the things reminding Miguel to forget. But they’re also the mechanism of his memory.

track 6: Lartiste ft. Caroliina | Mafiosa

track 7: Svrcina | Whispers

track 8: James TW | Say Love

track 9: Kodaline | Follow Your Fire

This is a nice add to Kodaline’s repertoire of songs. Follow Your Fire is a midtempo jam that begs the ultimate question: “Did you follow your fire?”

There are many times when a song is supposedly addressed to someone else, to a different “you” then you, the person reading this right now. The “you” in this song for example is Kodaline’s teenage lover but as the song progresses and closes on the refrain soft and low, the you is you. So the question remains:

“Did you follow your fire?”

track 10: Ashley Monroe | Hands On You

This song is a woman’s song, straight to the point – there’s a chance even that it makes you blush. Ashley Monroe’s vocals are strong, demanding and the country tune plays well with the lyrics:

“Got you high in a motel room” 

It’s a very well put-together track and the message and purpose of the song is clear.

track 11: Drake Signs

track 12: Johnny Cash | God’s Gonna Cut You Down

track 13: Alina Baraz (ft. Khalid) | Floating

track 14: Former Vandal Well Off

Thanks to Brooke for another great rec!

track 15: The Mowgli’s | Kansas City

track 16: Shoffy | Pushin

track 17: Lauv | Chasing Fire

Lauv again! Chasing Fire is a mid/uptempo jam to turn up real high in an automobile. I think I’ve already said my piece on Lauv in previous playlists before so there’s not much more to add there.

As for Chasing Fire, I love its driving beat and the chorus is super catchy.

track 18: Loote | Your Side of the Bed

track 19: Kid Quill | Playlist

Thanks to Chiara for this rec!

track 20: OTR ft. Ashley Leone | Bliss

track 21: Rozzi Never Over You

track 22: DENM | Good Thing

Good Thing’s all about the dreamers of the world.

“I want to have it all right now / But sometimes you gotta wait for the good thing”

DENM’s track is uptempo, playful and easy to connect with. Here’s to hoping he gets to live out those dreams one day!

track 23: Finneas Heaven

track 24: Quinn Lewis | In Between

track 25: Khalid, 6LACK & Ty Dolla $ign | OTW

track 26: Alvaro Soler | La Cintura

track 27: Thomas Rhett Leave Right Now

You know that moment in a party where you’re like, damn, I just want to leave right now? When the drinks wear off and you start thinking “tomorrow was going to be my productive day!”.

Now how about that moment happened and in that moment there was Thomas Rhett standing in front of you proposing you two “leave right now / meet me out back, if you like how that sounds”. 

Answer: yes.

I think this song might catapult Rhett into some mainstream attention beyond country, rightfully so.

track 28: Moon Taxi | River Water

track 29: Tall Heights | Not Like It Was

track 30: Zak Abel | Love Song

track 31: YEBBA | Evergreen

track 32: Terrell Morris & Free n Losh | Toi

track 33: Kacey Musgraves | Space Cowboy

track 34: Tayla Parx ft. Khalid | Runaway

Runaway is a well-produced tune that highlights two great vocals: Tayla Parx and Khalid. Like most songs titled Runaway, this songs about running away with a lover and leaving everything behind you.

Running away, as a fundamental concept, is really only a thing for kids. As a kid/teenager, you can run away from your parents because you have parents and their house to run away from. But when you get older, this escapist daydream fades and adults are left with daydreams about running away from their lives via Southeast Asian backpacking trips and the like. We don’t call that person a runaway though, nor their action, running away, the way we would with a kid. Interesting, that, isn’t it?

track 35: Daniel Caesar ft. Charlotte Day Wilson | Transform

track 36: Ghosted ft. JHart | Feel on Me

track 37: Plested | Worthy of You

track 38: ZAYN | Let Me

From the very first measure of this song with its 4 chords, I knew this song was fire. The guitar’s plucked repetition keeps it light while Zayn’s voice spreads like Speculoos on a warm English muffin. It’s sweet and soft and feels like white, freshly washed linens in the morning. This feeling didn’t come out of nowhere though, it’s the lyrics and the warm instrumentals that frame it so sweetly:

“Sweet baby, our sex has meaning / Know this time you’ll stay to the morning”

And my favorite line:

“Duvet days and vanilla ice cream / More than just one night together exclusively”

The duvet days line is the best. I could listen to it on repeat. It’s the white that Zayn invokes in a cotton duvet and in the vanilla ice cream that plays the scene out right in front of you: a lazy morning spent tangled in sheets and then deciding it’s time to finally do something, that something being getting ice cream of course. It’s also the way he emphasizes the “du” in duvet and inflects his voice in “ice cream”. It’s all very sweet.

The chorus riff comes in at 48 seconds and is honestly very Jesse McCartney-esque. The next bit of the song alternates between this higher register of Zayn’s voice and quicker tempo with the intro’s lower register and slower tempo. Then Zayn melds the two together around the 1:57 mark and finishes it out.

It’s odd that Zayn released this song after his breakup with longtime girlfriend Gigi Hadid but regardless of the timing, it’s nice to hear a song on the radio that’s sweet about love and talks about commitment beyond the night. Thanks Zayn.

track 39: The Script ft. Christy Dignam | Crazy World

track 40: Sabrina Claudio ft. Khalid | Don’t Let Me Down

track 41: Hollow Coves | Ran Away

track 42: Thomas Rhett ft. Martin Jensen Leave Right Now

“When a horse wants to run, there ain’t no sense in closin’ the gate.”
— Kacey Musgraves | Space Cowboy